Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Canaletto
The Bucintoro at the Molo on Ascension Day

ID: 40545

Canaletto The Bucintoro at the Molo on Ascension Day
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Canaletto The Bucintoro at the Molo on Ascension Day


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Canaletto

Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.  Related Paintings of Canaletto :. | Santi Giovanni e Paolo and the Scuola di San Marco | Regatta on the Canale Grande | Venice:The Basin of San Marco on Ascension Day | The Molo seen against the zecca | Riva degli Schiavoni- Looking East |
Related Artists:
Agostino Tassi
(1578--1644) was an Italian painter, mostly of landscapes and seascapes. Because he aspired to nobility he modified the details of his early life. Though he was born in Perugia he claimed to have been born in Rome. His family name was Buonamici, but Agostino adopted the surname Tassi to give substance to his story that he was adopted by the Marchese Tassi. He was actually the son of a furrier named Domenico.
Francois Lemoine
1688-1737
VELDE, Esaias van de
Dutch painter (b. ca. 1591, Amsterdam, d. 1630, Den Haag).






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